Canadian Essayists

Canadian Essayists-39
The historian Goldwin Smith championed economic union between Canada and the USA, while the educator George Parkin, drawn to the Imperial Round Table Movement, imagined Canada as Anglican and agrarian.Parkin, like George Monro Grant, was an educator; he headed Upper Canada College (est.Phillips Thompson pointedly argued that the labouring class was largely excluded from prevailing theories of progress. Outside the country, the Canadian border was frequently represented as a guarantee of justice and freedom: for example, as "Jordan, the crossing to the Promised Land" in African-American song, and as the protective "Medicine Line" to Blackfoot, Lakota, and other Indigenous nations.

The historian Goldwin Smith championed economic union between Canada and the USA, while the educator George Parkin, drawn to the Imperial Round Table Movement, imagined Canada as Anglican and agrarian.Parkin, like George Monro Grant, was an educator; he headed Upper Canada College (est.Phillips Thompson pointedly argued that the labouring class was largely excluded from prevailing theories of progress. Outside the country, the Canadian border was frequently represented as a guarantee of justice and freedom: for example, as "Jordan, the crossing to the Promised Land" in African-American song, and as the protective "Medicine Line" to Blackfoot, Lakota, and other Indigenous nations.

Male writers, too, achieved some popular success internationally, though many are now largely forgotten. James de Mille's speculative Timber Trade History) - instead of relying on the romantic glow of an imaginary past. Campbell together reshaped poetry from the 1880s till the 1920s.

Grant Allen and Albert Hickman featured detectives and the paranormal. Many literary historians still regard the members of "Confederation Group" as the dominant literary figures of the late 19th century. While they differed from each other--Carman captivated by song rhythms and the "Unitrinianism" of Mary Perry King, Scott holding to a belief that the First Nations were "a dying race," Roberts often celebratory, Lampman often dour--they were all influenced by the later English Romantic poets and the American Transcendentalists.

With Confederation came immediate calls for Maritime separation but also a quickened interest in the growth of a national culture.

Journalists and academic essayists earnestly disputed Canada's political destiny.

Mc Clung, who wrote vigorous volumes of autobiography about her political activism, also deliberately crafted her fiction as conventional romance so that her political message on the rights of women would be widely heard. Engagingly ironic, Leacock's (1910), Sunshine Sketches of a Little Town (1912), Arcadian Adventures with the Idle Rich (1914) and other works established his lasting fame as a writer of humour.

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Likely reaching an even wider readership was the internationally successful work of the children's writers Margaret Marshall Saunders and Lucy Maud Montgomery, the latter with Anne of Green Gables (1908) and its sequels. Less well known are two novels prized now for how they depart from Victorian convention.

In the interconnected short sketches of (1896), Scott introduced psychological realism into narrative form, eulogizing rural Quebec life on the verge of urban change.

With their stories of the lives of animals, Roberts and Ernest Thompson Seton--best known respectively for (1902) and Wild Animals I Have Known (1898)--were even more popular.

The realities of financial constraint nevertheless drew many patriotic writers, such as Lavallée, C. Anthropologists vigorously gathered First Nations stories on the West Coast, but popular English-language renderings of Inuit and First Nations tales repeatedly expurgated them, recasting them as quasi-Christian fables for children.

The greater presence that some First Nations writers began to acquire in the early 20th century--notably the Mohawk poet and tale-teller Pauline Johnson--marks a slight shift in cultural attitudes.

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