Creative Writing Professors

Students are encouraged to consider the ways that TV and film writers, directors, and producers have attempted creativity and innovation while working within an industry that demands novelty but also often fears new approaches to character and narrative.Hendershot is the editor of , the official publication of the Society for Cinema and Media Studies.He founded and organizes the MIT Cool Japan research project, which studies the critical potential of popular culture.

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In 2012, the Mac Arthur Foundation awarded him a Mac Arthur Fellowship, popularly known as the "Genius Grant", $500,000 over five years, no strings attached.

Born in the Dominican Republic and raised in New Jersey, Díaz is a professor of writing at MIT. Fox Harrell is Professor of Digital Media & AI in both the Comparative Media Studies Program and the Computer Science and Artificial Intelligence Laboratory at MIT.

His current research explores music and inequality, that is, examining how new social and economic approaches to music offer insights into the varieties of capitalism, and their differing contributions to inequality.

Condry teaches courses that emphasize ethnographic approaches to media and culture, including Japanese popular culture, anime and cinema, as well as a graduate-level seminar in media theory and methods.

Our faculty is made up of some of the world’s best known media and writing scholars, teachers, and practitioners.

Future Of Science And Technology In Essay - Creative Writing Professors

From literature, civic media, digital media, design, and data visualization, to television, games, science fiction, and international pop culture, they are winners of Pulitzer Prizes, National Science Foundation CAREER Awards, and Peabody Awards, and recipients of countless grants and fellowships.They are a board member of Allied Media Projects (AMP); AMP convenes the annual Allied Media Conference and cultivates media strategies for a more just, creative and collaborative world (alliedmedia.org)., was published in 2007 and won the 2008 Pulitzer Prize.Much of his research centers on the affordances of new technologies including AR, VR and mobile, and how those can be applied today. His lab has produced software (from casual mobile games to the MMO The Radix Endeavor) and platforms (including Star Logo Nova and Taleblazer) used by millions of people, as well as online courses that have reached hundreds of thousands.Klopfer is also the co-founder and past President of the non-profit Learning Games Network. Helen was on the board of PEN New England for ten years, and she served on its Freedom to Write Committee and volunteered with its Prison Creative Writing Program, which she helped to start.Hendershot is particularly interested in the complicated relationship between “extremist” and “mainstream” conservatism and in how that relationship is negotiated by conservative media.Her courses emphasize the interplay between industrial, economic, and regulatory concerns and how those concerns affect what we see on the screen (big or little).She has written about the experience of teaching creative writing in prison in a Professor Thomas Levenson is the winner of Walter P.Kistler Science Documentary Film Award, Peabody Award (shared), New York Chapter Emmy, and the AAAS/Westinghouse award.(Please use the MIT Directory for faculty’s current offices and phone numbers.) (NYU Press, 2013).His films include "Taxi-vala/Auto-biography," (1994) which explored the lives, struggles, and activism of New York City taxi drivers from India, Pakistan, and Bangladesh, and "Mutiny: Asians Storm British Music" (2003) a hybrid music documentary/social documentary about South Asian youth, music, and anti-racist politics in 1970s-90s Britain. The project consists of the Bengali Harlem book as well as a documentary film, “In Search of Bengali Harlem,” (currently in production), and a digital oral history website in development at

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