Ralph Emerson Essay On Compensation

Ralph Emerson Essay On Compensation-1
With the publication of his in 1844, Emerson emerged as a trans-Atlantic literary celebrity.In his essays from this period Emerson did not explicitly take up Eastern subjects or ideas; however, scholars agree that there are similarities between Emerson’s “Over-Soul” in his 1841 essay of that name and the Hindu conception of .As a boy, his first contact with the non-Western world came by way of the merchandise that bustled across the India Wharf in Boston harbor, a major nexus of the Indo-Chinese trade that flourished in New England after the Revolutionary War.

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He not only gave countless readers their first exposure to non-Western modes of thinking, metaphysical concepts, and sacred mythologies; he also shaped the way subsequent generations of American writers and thinkers approached the vast cultural resources of Asia and the Middle East.

Emerson was born on May 25, 1803 in Boston, Massachusetts.

Moreover, in his published writings during this period, Emerson cited maxims, referred to prominent figures, and otherwise incorporated allusions drawn from Asian and Middle Eastern literatures with surprising regularity.

He added these “lustres” to his nonfiction writing for at least two reasons.

As a consequence, Emerson’s writing about South Asia (as well as China, Persia, and the Arab world) often traffics in the menagerie of 19th century Euro-American stereotypes and misconceptions.

Examples can be found in Emerson’s “Indian Superstition,” a densely allusive poem that he composed for Harvard College’s graduation ceremonies in 1822.First, by treating non-Western texts with the same respect afforded cultural authorities in the Western traditions, he could disrupt the parochial expectations of his American and European audiences.Second, by adducing evidence from traditions outside of America and Europe, he could assert the universality of his observations on society, fate, ethics, and philosophy.In the 156-line poem, Emerson describes how “Superstition,” the personification of religious tyranny in Asia, has enslaved “[D]ishonored India.” With its Romantic primitivism and bombastic imagery, “Indian Superstition” is perhaps closer to caricature than considered literary art.Yet, for all its excess, Emerson’s poem is notable for departing from a common formula of the period according to which a debased India could only be redeemed through Western colonialism.Along with Emerson, the New England Transcendentalists were an eclectic group of religious, literary, educational, and social reformers that included Margaret Fuller, Bronson Alcott, Theodore Parker, and Henry David Thoreau.The movement grew out of Unitarianism in the greater Boston area; was deeply influenced by British and German Romanticism, especially as interpreted by Samuel Taylor Coleridge; and revolved around a form of philosophical and spiritual idealism that valued intuition over the senses.And yet Emerson’s conceptualization of the East in the “Plato” essay poses problems that are worth noting.As scholars have observed, when Emerson claims to speak about “Asia,” he seems to have India in mind (that is, the country with the “social institution of caste”).An aspiring poet, Emerson also gravitated to selections of poetry that took up Eastern themes and Eastern poetry, including the works of Saadi and Hafez, which he would embrace in adulthood.Like other Anglo-American readers of his period, Emerson relied heavily on British colonial agents for his knowledge of India, reading treatises, travelogues, and translations of legal, religious, and poetic texts produced in the wake of Britain’s imperial expansion into India.

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